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The company is also selling its shoe care and Asian cleaning brands businesses. Last month, Sara Lee spent $60 million to acquire Brazil-based Cafe Damasco to integrate into its coffee brand.Sara Vibram Five Fingers sale Lee discontinued its international household and body care businesses, breaking assets down for sale. Godrej, the company's Indian JV partner, bought its stake in the Indian insecticides joint venture this year and Sara Lee also sold its air care business to Procter Gamble.Marcel Smits, interim CEO of Sara Lee, said the latest sale comes as the company is "focused on aggressively driving growthVibram Five Fingers Kso in our core coffee and protein categories."However, the company is making exits at a time when detergents and personal care products are being eyed by investors both private and strategic. In October, Littlejohn Co. backed Cosmic Essence's restructuring with Garrison Investment Group in a secondary deal from Onex Partners.This spring, Manhattan Growth Partners invested an unspecified Vibram Five Fingers KSO Black/Grey/Camo Shoes amount in Hugo Naturals, a natural personal care product maker. Additionally, Franklin Templeton Investments' PE arm, Darby Asia Mezzanine Fund, put $10 million into Water Oasis Group, a Hong Kong-based skin care and beauty products maker.Soft-shoe shuffle Listen to This Alex Ross Fourth Estate, 40 opp, ��25 No writer in my time has so dominated American music criticism as the deceptively receptive Alex Ross, whose bestselling book The Rest Is Noise, first published in 2007, fostered the delirious delusion that contemporary classical music is still part of civilised conversation. Ross is most persuasive in his passions, which include the Finnish conductor Esa-Pekka SaIonen, the mezzo-soprano Lorraine Hunt Lieberson, late wife of the composer Peter Lieberson, his college professor John Luther Adams (not to be confused with the better-known John Adams. of Nixon in China fame), Bob Dylan, Radiohead and late Brahms.No Vibram Five Fingers KSO Grey-Yellow Shoes writer in my time has so dominated American music criticism as the deceptively receptive Alex Ross, whose bestselling book The Rest Is Noise, first published in 2007, fostered the delirious delusion that contemporary classical music is still part of civilised conversation. Starting with a richly illustrated blog and working up to an eponymous book, Ross drew creative links between serious and popular music. Music is music, he argues.